77. The Awful Truth (1937)

Jerry and Lucy are a married couple who, after believing they have caught each other in indiscretions, decide to divorce. Before their divorce is finalized  each plots to ruin the others plans to remarry. Lucy to a rich Southern rancher (well observed by Ralph Bellamy) and Jerry to a madcap heiress.

This is truly one of the great screwball comedies. Perfectly observed subtle comedy combined with sharp witty dialogue and a showcase of slapstick and bedroom farce. Both Irene Dunne and Cary Grant are exceptional in the lead roles, but the film is fleshed out with a wealth of witty supporting roles. Allegedly, the comedy was greatly improvised from day to day making it even greater in my opinion.

Leo McCarey's direction has produced a masterpiece in comic timing. It's wonderfully paced. The comedy is both subtle sand broad and the tenderly sweet ending is very touching and rounds out a great ride.

76. Alphaville, Une étrange aventure de Lemmy Caution (1965)

Set in the future, Alphaville tells the story of Lemmy Caution, a secret agent who travels to Alphaville to seek out Professor Von Braun and possibly get rid of him.
I'm not a fan of French New Wave cinema, but you cant help but see the influences this film has had on modern sci-fi. Here Godard chooses to make a science fiction film with no special effects or elaborate sets. Almost as if it is a parody of sci-fi. Instead he tells the story as a noir detective tale and shoots it in futuristic looking buildings in Paris and has lingering shots on neon and mathematical diagrams. Caution is dressed in typical noir detective garb (trench coat and hat) as he makes his way through this disturbing Dystopian society where emotion has been outlawed through punishment of death by firing squad into swimming pool.

Never really clear on whether Alphaville is a city or planet, or whether Caution's Ford Galaxy is supposed to represent a spaceship. It really is all a bit too hipster for me, though its place in the list is deserved. The influence from the story and look is wide reaching. Fahrenheit 451 and Blade Runner scream loudest, but you will find hints in other gritty sci-fi.

I was still bored to nonplussedom, but the signposted influences made this more of a comfortable ride.

If the marksmen doesn't get you, the synchronized swimmers will finish you off!

75. The Bitter Tea of General Yen (1933)

A young missionary travels to Shanghai to marry her childhood sweetheart who is a missionary out there. She gets injured when rescuing a group of orphans during an uprising and is taken captive by a Chinese Warlord, General Yen. A spot of Stockholm syndrome later and she has fallen for him.

Quite a beautiful film visually and the story is much darker than the norm from this age. Stanwyck's Megan is a real powerhouse to start with, but slowly but surely becomes a sappy mess. Nils Astor is an odd choice. Another peg in Hollywood Asian racism? Possibly. The film has Asian actors in supporting roles (Toshia Mori as the double-crossing Mah-Li is particularly fine), so why cast a Dane as the General and cover him in distracting make-up that makes him look very creepy and monstrous?

It's an odd story with bizarre character arcs. I didn't find anyone particularly sympathetic and the plot was quite ancillary. Left me a touch bored.